One of the singular pleasures of being a comic book fan is puzzling out their onomatopoetically-rendered sound effects!
“Sound Effects” from MAD, by the brilliant Wally Wood
While sound effects have somewhat fallen out of favor in contemporary comics writing, I still love them. And while I love a good BLAM! or WHAM! as much as the next guy, I particularly enjoy sound effects that are strongly associated with a specific character or comic. While most comic book sound effects are made up by a creator on-the-spot, a signature sound effect is always the same, and as much a part of a character as their costume or name.
My criteria for calling something a “signature” sound effect is simple — you have to know it in the dark. If all you have is a black panel with a single sound effect, but you still know what is happening (and who is making it happen), then that’s a signature sound effect!
Here are Six Signature Superhero Sound Effects! Why only six? Because I love alliteration even more than onomatopoeia (and I couldn’t think of a seventh)! But my draconian rules have doubtless caused me to exclude your favorite sound effect, so be sure to take me to task for my cruel exclusions in the comments section, below.
In the meantime, in rough and reverse order of their fame and recognizability …
… drum roll please …
(drum roll sound effect courtesy of my very own Dudley Serious Saves The World!)
… here are Six Signature Superhero Sound Effects!
All right, this is a little bit of a cheat, but it’s my blog and I get to make the rules. “Pow” is a generic sound effect, and not especially associated with Batman, but the use of visual sound effects was a signature element of the classic Batman TV show, so “POW!” gets an honorable mention.
I know full well that the real Captain Marvel is the Big Red Cheese, but my favorite Captain Marvel is still the enlightened Kree man of war that I have celebrated several times here at Longbox Graveyard. Just as Billy Batson could change into Captain Marvel by shouting, “SHAZAM!” (a term that would top list list, if it were a proper sound effect!), so for a time could Rick Jones trade places in the Negative Zone with Captain Marvel by clashing his “Nega Bands”together … with the characteristic sound of KTANG!
4) PING PING PING!
One of the coolest things about Jack Kirby’s New Gods is that it is full of things that Jack never fully explained. What was the Source? What was the Anti-Life Formula? Most intriguing of all … what was a Mother Box?
The indispensable gadget of every New God, a Mother Box was one part computer, one part iPhone, and one part genie-in-a-lamp. Built by hand and customized by their owners, Mother Boxes seemed able to do just about anything. But the one thing they all seemed to do was to go PING PING PING when activated!
Nightcrawler’s characteristic teleportation sound effect is as recognizable as his devilish tail and three-toed feet. BAMF became such an X-Men stand-by that I’m convinced someone eventually referred to Nightcrawler “bamfing” someplace, rather than teleporting … but I can’t find that particular reference (and a Longbox Graveyard No-Prize to someone who does!)
This one goes way back — all the way to Amazing Spider-Man #36 — which means it is almost certainly a Steve Ditko invention. It is the perfect expression for the sound of Spider-Man’s web-shooters — suggesting speed, a rushing of escaped gasses, and the sound of a whip, all-in-one!
Bonus … a clever bit of sound effects-oriented meta storytelling, from Amazing Spider-Man #43, as suggested by Mike W in comments, below!
A second X-Men sound effect tops this list, which makes me wonder if X-Men scribe Chris Claremont had a particular affection for sound effects. Or maybe it was Dave Cockrum? Regardless, the sinister sound of Wolverine’s adamantium claws sliding from their sheath is scary enough to make bad guys wet their britches all by itself! More than any sound effect on this list, if you “hear” SNIKT, all by itself, in the center of a dark panel … you know all Hell is about to break loose!
What did I miss? Sound off with your own sound effects in the comments section, below!
IN THREE WEEKS: #137 Thing vs. Thing!
FOOM #13 was all about Daredevil!
That Gene Colan cover is the coolest bit about this issue, but there are a few nuggets, if you look for them.
For example, there are several character reference sheets for Daredevil and his supporting cast from the immortal Wally Wood:
There was also this quote from Marv Wolfman, offering insight on what distinguished ol’ Hornhead from his Marvel brethren, circa 1976:
(Daredevil) is — as far as I can tell — Marvel’s only crime-fighter. All the other characters have other shticks that they do: Spider-Man isn’t so much a crime-fighter; he fights super villains. Half-the-time I’m not even quite sure why, or what the super villain has done. For instance, there’s a three-part story running now with Dr. Octopus and Hammerhead, but so far as I can tell, no one’s committed any crime. It’s just that they’re super villains, that a good enough reason to stage the issues. Thor fights the Asgardian characters and everything else. The FF fight space monsters or creatures or earth-shaking menaces. Most of our super-heroes tend not to actually fight crime. They fight other things connected with it.
So, Daredevil, being, in a sense, Marvel’s only crime-fighter, you can do slightly different-type storylines; in fact you almost have to … Secondly, Matt Murdoch is one of the few, I think, intelligent adults in the Marvel universe, who actually has to work for a living. Peter Parker is only a part-time worker because he’s basically a student … Tony Stark is a multi-millionaire. Most of our characters don’t have to work to support themselves. Matt, on the other hand, would be in serious trouble if he weren’t being paid for the legal work he does. So, Matt is of interest.
Marv goes on to comment about how the book originated as a shadow of Spider-Man, but had neither the supporting cast nor the villains of that book. It is an interesting look at a character during a time that no one could recognize as being the end of an era for Daredevil. The last issue listed in this magazine’s then-up-to-date Daredevil index is #134 … three issues after the first appearance of Bullseye, and twenty-four issues before Frank Miller would join the book with issue #158, and finally propel Daredevil to the ranks of Marvel’s A-list books.
See you back here next week for another FOOM Friday!
This week’s F.O.O.M. Friday serves up a parody strip from F.O.O.M. #1, notable for an unauthorized appearance by DC hero Plastic Man, as well as an art credit for the immortal Wally Wood!
See you next week for another F.O.O.M. Friday!