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Uncanny X-Men #1


Capsule Review

Marvel’s latest X-Men title is all about the hardcases. If the other X-Men books are about heroes the public thinks are bad guys, then what does that say about an X-Men book that really is about the bad guys? With the fallen-hero-as-villain trope so central to all things X-Men, there’s no limit to the characters who might stock this book, but writer Cullen Bunn and artist Greg Land stick with the usual suspects, to generally good effect. We get Magneto being melodramatic and hardcore, Sabertooth holding himself in check, Psylocke flashing her swords around, and Monet (who I don’t know at all) smiling all the time and delivering dialogue that felt just a bit too stagey. There’s also a brain-dead Angel who is more drone than superhero. The plot is clever and centers on Magneto’s typically slash-and-burn approach to solving the Inhuman-spawned Terrigen mist crisis that is threatening mutant-kind. The book hits a bad-guys-as-heroes tone that completely eluded the Illuminati reboot. The action is strong and the faces are full of expression. I was especially taken with Greg Land’s panel introducing Sabertooth, with the villain (hero?) crouched on the hood of a truck, and the driver’s panicked expression communicated through the frightened eyes framed in the truck’s rear-view mirror. This is the kind of book that has big panels and lots of action (and a two-page center-spread) which means you can read it in about five minutes … but it’s a pretty good five minutes.

Approachability For New Readers

No more or less clear than any other X-Men book.

Read #2?

You bet.

Sales Rank

(#10 January)

Read more about the X-Men at Longbox Graveyard

Read more capsule reviews of Marvel’s All-New All-Different rolling reboot.


Uncanny X-Men #1

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