CAPTAIN MARVEL #1
I still think that Ms. Marvel deserved better, but I have to admit that Carol Danvers has done pretty well by herself. The character has developed a rich history all her own and she’s even got a movie on the way. Carol owns the Captain Marvel moniker, now, and so my beloved Kree Captain can rest in peace. In her newest series, Captain Carol reports for a two-year hitch aboard a space station that protects earth against galactic threats. Her new post has a flight deck filled with space fighter craft (piloted by Alpha Flight, of all people), a meditation room, a co-ed locker room, and a serving commander who doesn’t think much of our hero. Authors Michele Fazekas and Tara Butters write Carol as confident and brash in a career-military sort of way, and they let her attitude lead her into trouble. The writers come from television and this shows in the dialogue (this is not a bad thing). Kris Anka’s art is better than his recent stints on X-Men, but isn’t equal to the script. With a location and title character in common with A-Force, I would expect some tight continuity with that other book, but we will have to see how that plays out.
Approachability For New Readers
Pretty decent. I don’t know how Alpha Flight got aboard that space station (or even where the station came from), but as a first-day-on-the-job story, it feels more like a #1 than many books in this Marvel reboot.
Read more about Captain Marvel at Longbox Graveyard
- This Female Fights Back!
- Blown Away
- Captain Marvel Gallery
- Marvel Comics: A Space Odyssey
- Out Of The Holocaust — A Hero!
- Avengers — Kree/Skrull War
- Captain Not-So-Marvelous
Read more capsule reviews of Marvel’s All-New All-Different rolling reboot.
Read Dean Compton’s column about Captain Marvel — Shazam! The Power Of One Magic Word.
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And because it’s Friday, there has to be a Flipagram …
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EDITOR’S NOTE: This week I welcome a new voice to Longbox Graveyard with guest blogger Dean Compton, who offers his personal experiences with one of the foundational heroes in comics. Take it away, Dean!
Welcome to my guest blog entry here at Longbox Graveyard! I’m Dean Compton, and Paul has been gracious enough to allow me to fill an egregious omission from The Longbox. Paul has done a rather splendid job of showing us the exploits of the Captain Marvel brought to us by the House of Ideas, but so far, there has been nary a mention of the Big Red Cheese, the World’s Mightiest Mortal, the ORIGINAL Captain Marvel!
That ends now!!!
Of course, it isn’t as though Paul is some kind of evil troll just dedicated to depriving you canny readers of the chances to learn more of the Bronze Age exploits of Captain Marvel so much as it seems that he just wasn’t a fan. While I find that to be the sort of superhero fan crime that should be punishable by repeated readings of Sleepwalker and NFL Superpro, Paul has instead given me the opportunity to correct this tiny slight on what is otherwise a tremendous blog.
let the punishment fit the crime: right before Superpro tackles said crime
Lest I get too carried away here, it’s an honor to try and convey just what the Billy Batson/Captain Marvel character means to me. I have loved superheroes my entire life, and I think part of that is the safety of the heroes. I loved how they used their massive power to help those who were helpless, and while that meant lots of fun for me, it also hit very close to home because I was an abused child who was looking for a safe place like the worlds these superheroes strived to create. I also wanted to believe that those who had power did not always abuse it, and superheroes showed that to me.
Of course, that makes Captain Marvel very near and dear to me, because, as I am sure those reading a comic book blog would be aware, Captain Marvel is a kid who says a magic word to become the World’s Mightiest Mortal! If you are looking at this comic book blog and you weren’t aware, wow! How did you get here? Seriously, I’d love to know!
Take a look here and see a quick origin of Captain Marvel from SHAZAM #1 (1973).
who could have caused that exile? Don’t worry, I will tell you after just a little more whining about my childhood
So obviously, once I learned of Captain Marvel, it held a special place in my heart. I wanted to say my own magic word and be able to overcome the evil in life. In times when I just felt like giving up, Billy Batson and Captain Marvel helped inspire me to keep going, and I guess I made it out. I have a steady job in television, great friends, and a girlfriend who somehow manages to tolerate stuff like my constant need to launch into long soliloquies about Billy Batson and other EARTH-SHATTERING comic book stuff. I am not going to go into great detail about my situation growing up, but I will say that lots of folks don’t come out as unscathed as I did, and part of the reason is the hope brought by Captain Marvel into my life.
I think the first time I ever saw Captain Marvel was in the early 80’s. I’m a 70’s baby by 3 months, so many things at Longbox Graveyard happened before I was born, but anything in the late Bronze Age I recall. One of my gifts in life has been to have a tremendous memory, and so I can recall seeing SHAZAM! Slurpee cups at a young age. I also recall a Captain Marvel cartoon on Saturday Mornings paired with Hero High. I didn’t learn about Captain Marvel though (and thought his name was SHAZAM!) until I was in 6th grade. I started collecting the DC and Marvel cards of the early 90’s, and I was captured by the idea instantly.
So, now that we have gotten all that gobbledygook out of the way, perhaps you’d like to actually read about some comics. Hell, even the people who love human interest stories at this point are probably taking to the streets with picket signs reading “GET TO THE COMICS!”, so without further adieu, I’d like to share with you guys SHAZAM #1 and #2 from 1973!!!!
To put things in perspective, there hadn’t been a Captain Marvel comic featuring the Billy Batson Cap in about 20 years at this point. DC Comics sued Fawcett Comics, the original publishers of Captain Marvel, over the fact that that they felt Captain Marvel infringed upon the copyright of Superman. The courts originally said that DC had let Superman’s copyright lapse, but an upper court then decided it wasn’t true and said the case had to be looked at again. At that point, Fawcett just settled out of court and stopped publishing Captain Marvel or any other comics. 1954 is the last year they published. (This had as much to do with declining sales after the war as anything else.) They licensed the Marvel Family to DC in the early 70’s and they eventually finished selling their properties to DC in 1991. Of course, thanks to the interim, if you are like Paul, you have been bamboozled into thinking that Mar-Vell is THE Captain Marvel at this point, when from the ashes of legality DC comics licensed Captain Marvel and his family, and gave us this!
it looks like Superman is some sort of magician here and he is taking credit for bringing Captain Marvel back
So twenty years after the courts decided that Captain Marvel infringed upon Superman’s copyright and Fawcett quit publishing the adventures of the Big Red Cheese, DC licensed the rights to the Marvel Family and brought them back in the above SHAZAM! #1. If you ask me, they really got off on the wrong foot right away. Putting Superman on the cover in this way (he does not appear in the comic book at all) just sort of cheapens the event! Instead of safely entrenching Cap in his own world in his own adventures, instead we get the instant Superman/Captain Marvel comparison. Not only is it a comparison we do not need to make, but the way Superman is drawn makes it seem like he is either taking credit for the book or that he is deigning to let it happen. Perhaps the pose is done on purpose as one final “WE WON” from DC, but who knows? That probably wasn’t the reason for it. I do like the “BOOM!” sound effect.
The creative team for this book is Denny O’Neil writing and art by CC Beck, and while CC Beck is THE Captain Marvel artist, O’Neil’s stories in SHAZAM! just are not very enjoyable. They just feel forced and, at the risk of offending the God of puns, cheesy. Even for 1973, they feel decidedly whitebread and almost insultingly inoffensive due to their simplicity. I figure either DC wanted these stories to be this way (much is made of the Marvels coming out of Suspended Animation); they are so far removed from what Denny O’Neil is good at as a writer (his “realistic” takes on Batman, or Green Lantern/Green Arrow, for instance); or a combination of the two. One thing is for sure though, after the origin story, CC’s art is about the only reason to keep reading the first issue.
I now know where James Cameron got the awful idea to call his mineral “Unobtainium” in Avatar
Yep, Dr. Sivana was behind the disappearance of Captain Marvel teased earlier in the origin panels, which to be fair, are done well. It’s when O’Neil does Sivana and his family as the most idiotic mad geniuses you will ever see or even the entire idea that Cap has been in suspended animation for the twenty years he was legally gone. It probably would have been best to have just started his adventures back up without addressing what was going on while he was gone. Of course, if they had done that, someone (PROBABLY ME) would complain about it because those years were not documented.
We have a saying for that here in the south: Can’t win for losing.
One thing that O’Neil loved to do in his SHAZAM! stories that gets old faster than baby crying on an airplane is the cheesy joke. Scope these two pages and try not to cringe at the pun toward the end. I do love the use of the “KA-RUNCH” sound effect though. I wish real world punches made that same noise.
UGH! Even in the 70’s, that suspended sentence joke had to be unacceptable and possibly a war crime
On the other hand, one of the great things about the 70’s SHAZAM! series was how it provided cool reprints of Golden Age adventures of Captain Marvel adventures, and the one we get in SHAZAM#1 is priceless to me, mostly because of how awesome this old dude is:
No one in history has ever loved string more, which makes me love this old man. Too bad for him, the people who actually own the string take string theft so seriously as to utilize a Spy vs. Spy bomb in order to stop this delightful string-loving old man.
the old guy is collecting the string TO SELL IT. Has string ever been worth anything? For real, I am really asking
There’s also a scientist in this story who believes that since they have string and vases in this other dimension, those people must be monstrous! Surprise, scientist! They look just like us!
that is truly the skulking walk of any scientist whose crazy theories have been disproven by a superhero
A quick comment on that house ad too: Do I really need Doll Man and the Atom in the same comic? I mean, I like both guys, but they both do the same thing. If Doll Man shrinking down doesn’t save the day, HOW WILL THE ATOM DOING THE SAME THING SAVE DAY?
But I digress. Let’s move along to SHAZAM #2, which starts off with a better cover, although those kids kind of scare me.
the meta cover idea always gets me. I love infinity!
The kid holding the comic seems ok, but the girl and the other little boy frighten me to Kingdom Come, and if you have read that, you know that isn’t a great place to be.
SHAZAM #2, on the other hand, is a great deal of fun. Denny O’Neil and CC Beck do the main story, and O’Neil does a better job here. It seems less silly for the sake of silly, and more of the embrace of silly. Of course, a talking tiger named Mr. Tawky Tawny and a worm bad guy named Mr. Mind will sort of do that for you.
Of course, so will an old arch enemy crocodile that attacks Captain Marvel for no reason and then is forgiven. For no reason I can discern other than Beck’s great art, these pages have such charm:
if you’re so happy with the circus and your life in crime is over, why did you attack Captain Marvel? Why is he just letting you go?
The highlight of the story though is when Mr. Mind makes a FOOTBALL OF DOOM!
Of course, our hero manages to catch Mr. Mind in a neat little tale, but the highlight of this issue, and if you ask me, the first 10 issues of SHAZAM! is this backup story by Elliott S! Maggin and the brilliant Beck!
Captain Marvel meets Sunny Sparkle, the nicest kid in the world. He is so nice that people just do things for him all the time, which is good, because he is easily the creepiest child in history. In fact, he is even creepier looking than the live action kids on the cover of issue #2.
Ye Booke Nooke is now filled with hipsters and a cup of black coffee is $8.99
You see, for Sunny Sparkles, being so great is just awful because people give him things! This is somehow a problem for him. For me, I can’t think of much better, but maybe what makes Sunny Sparkles so nice is his lack of materialistic concerns like the ones I have. Of course, this is a comic book, and if I lived in comic book world like Sunny, and I had this power, I would inexorably get involved in some sort of heist and misunderstanding that would lead the most gangster gangster of all time to come looking for me.
look at Sunny on the second page looking at Captain Marvel and tell me the reason people give him things isn’t that they are scared to death of him. I dare you.
I love how the boss goes from just a sort of meany behind a desk whose cigar is also angry because he is to the most gangster gangster ever merely by putting on his hat and having a gun under his coat. Despite his ability to change from a Flintstones bit villain into the crime lord of Earth-S, even he finds Sunny’s charms irresistible.
on Earth-S, waking someone up from a nap is apparently a bigger no-no than RESIDENTIAL BURGLARY
This gangster gangster gets more impressive every page! Now he tilts his hat up slightly, and he is A TRUSTWORTHY ADULT. I love it! Later on we see Sunny Sparkle again, but he is with his rotten cousin. I wonder what New 52 Sunny Sparkle would be like. Never mind. I don’t. Please don’t, DC!
All in all, these stories are fun. If you can find them cheaply, they are worth a read simply for the golden age backups, but the issues themselves are too pricey just for those, and I am sure you can find better reproductions of those golden age stories elsewhere. These 70’s stories, while at their best they are fun, they were just too behind the times to catch on then, I am sure. For instance, I decided it would be neat while writing this blog to listen to the top albums from 1973, the year these comics came out, and let me tell you, Dark Side of the Moon does not mesh as well with Sunny Sparkles as it does Wizard of Oz!
Hope you’ve enjoyed my guest blog here! I can be heard on VOC Nation on two, count ’em, TWO podcasts that air live prior to archiving! One is called Her Dork World, His Dork World (Twitter, Facebook), and it features my girlfriend and I discussing dork culture from a male and female perspective, and it debuts on March 20 at midnight! My other podcast there should be up by now, having debuted yesterday! It’s called Compton After Dark (Twitter, Facebook), and it focuses on wrestling, comics, politics, toys, video games, and more. Listen on Tuesday nights from 11:30PM to 1AM, EST!
Be on the lookout, and if you liked this, bug Paul and maybe he will let me come play in the Longbox again with some Punisher Bronze Age stuff or even more Captain Marvel! Thanks for reading, and I can’t wait to talk to all of you again! Look at those exclamation marks. Am I Stan Lee or something?
Thanks for spreading the Captain Marvel gospel, Dean! I encourage all Longbox Graveyard readers to check out Dean’s podcasts (rumor has it a certain master of the Longbox Graveyard will be appearing on air with Dean in April …), and also keep an eye out in coming months as Dean writes about the Punisher and the All-Star Squadron for this very blog! Finally, be sure to mouse on over to Dean’s 1990s comics blog — The Unspoken Decade — where Dean attempts to shine light on the darkest age of comics! Keep the faith, Marvelites! (And I mean that in the ORIGINAL sense!)
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Welcome to another installment of The Dollar Box, where I look at special or significant comics with an original cover price of a dollar or less. This month’s issue is Captain Marvel #34, a Jim Starlin effort (with a script assist from Steve Englehart) published by Marvel Comics in the summer of 1974. This isn’t the most memorable or important issue in Starlin’s Captain Marvel run, but it has an energetic visual style, with a superior use of sound effects, and does conclude with what would prove to be a pivotal moment in Captain Marvel’s life — his death!
Created only to protect a trademark, Captain Marvel was always a tertiary book at Marvel, suffering through a series of unmemorable (yet accidentally brilliant) stories by rotating creative teams before the series was handed to a young Jim Starlin, first as penciller with issue #25, with with full creative duties by issue #27. Over the brief span of ten issues (which I previously reviewed here) Starlin would redefine Captain Marvel, transforming him into a cosmic warrior for peace and balance, and setting him to battle against the Death God Thanos of Titan, in the first of many such great outer space sagas that would become Starlin’s stock-in-trade.
By issue #34, though, that arc was in the rear-view mirror, and Captain Marvel — and creator Jim Starlin — were ready to move on to the next phase in their lives.
The first several pages of the issue were basic stuff for a 1970s Marvel Comic. The previous story was briefly recapped, then some long-simmering subplots were serviced, as Rick Jones — Captain Marvel’s earthly companion, with whom our hero must trade places if he is to escape the Negative Zone — caught up on a private life that was sidelined by a certain war for the fate of the solar system. Rick whined a bit about being Marv’s sidekick, broke up with his girlfriend, then departed on a music tour with his manager and an unenthusiastic new partner …
… and that’s where things got weird.
Weird, at least, by the standards of your usual 1970s Marvel fist opera. It wasn’t the set-up that was unusual — it was another off-the-shelf Marvel set piece, with Rick and his companions fatefully crossing paths with a villain intent on stealing a deadly nerve gas. But the entire tone and style of the issue was over-the-top and doom-driven, and also loaded with fannish Easter eggs, including a cameo appearance by Carol Danvers (who later would become one of the more significant female characters in the Marvel line as Ms. Marvel, before assuming the title duties of Captain Marvel, herself).
The plot was also enlivened by the first appearance of Nitro, one of the most gleefully-silly villains in Marvel history, a crazy man who’s entire repertoire involved blowing himself to atoms. As befit a man with such a one-trick resume, he entered the scene with a special kind of recklessness …
… and then went after what he wanted in a dynamic page that served notice that on a visual level, at least, this wouldn’t be your usual kind of superhero fight.
At this point I should note this issue was a personal turning point for me as a comics fan. Probably every comics fan has “that” issue — the one where the form came alive for them, when they first flipped to the credits page to see who it was that had written or drawn a story. For twelve-year-old me, soldiering through a visually indifferent summer of comic books in 1974, this issue left me “Blown Away” (which just happened to be the title of the story). Having come to comics too late to see Jack Kirby at the top of his game (or to see Jim Steranko infuse Kirby’s work with his own particular cinematic aesthetic), the way Starlin drew this otherwise-unremarkable action opened a doorway in my consciousness.
It blew my twelve-year-old mind.
Forty years later, it’s still pretty sweet. Sure, all we really have here is Captain Marvel — a throw-away character who had just had his Elvis Year thanks to Starlin’s run — slugging it out with a dumb supervillain for a half-dozen pages, but the contest is carried off with exceptional style.
There is real visual power behind the blows traded by Marv and Nitro, and the action seems more visceral and personal when Nitro curses like a street-level thug.
That “FOOM” sound effect gets an potent workout, too, as Nitro blows himself up in ever more explosive fashion …
… before meeting his own end with one last FOOM, thanks to a deft bit of trickery by our Kree soldier-hero, Captain Marvel.
Alas, the fun was ending just as it was getting started. Captain Marvel #34 was Jim Starlin’s last issue on the series. Jim knew it, even if the audience had no inkling, though it was spelled out plainly enough (if backwards) on a mysterious road sign …
… and with the freedom of a man quitting his job, Starlin did the unthinkable. He killed Captain Marvel.
(Actually, he did.)
Cliffhangers where heroes (appeared to) die were no unusual thing in comics, then or now, but this conclusion seemed to have an unusual degree of bite. Having finally defeated Nitro, Captain Marvel struggled to seal off the ruptured canisters of Compound 13 that the villain was trying to steal — a gas that we’d previously been told was the ultimate nerve agent.
Marv pulled it off, but just barely, and even Rick Jones, watching from the Negative Zone, seemed to sense that this wasn’t a routine cliffhanger. The next issue box assured us there will be a next issue, but this did seem an unusually “final” final image.
In issue #35, of course, a new creative team picked up the pieces, and contrived to restore Captain Marvel to life, and his book would continue on through another thirty-odd mostly-unmemorable issues before its cancellation in 1979.
But the events of this story would prove unusually far-ranging.
In 1982, Jim Starlin was back at Marvel, and the publisher was experimenting with a new, full-length graphic novel form. The first installment in the Marvel Graphic Novel line would be The Death of Captain Marvel, where Starlin revealed that Marv had an incurable cancer brought on by … his exposure to Compound 13! So it turns out that Starlin really did, kinda-sorta, kill off Captain Marvel back in issue #34 of his own book — it just took eight years for it to stick!
And stick it did. Captain Marvel’s death has proven one of the more significant character deaths in the Marvel universe, touching a number of other costumed heroes, and proving almost singular in offering a genuine end to the story of Captain Marvel. The character would appear again in flashbacks and brief life-after-death cameos, but his big 2008 “Secret Invasion” resurrection was a fake-out, and now the trademark-protecting mantle of Captain Marvel has been taken up by Carol Danvers (the former Ms. Marvel) in the latest incarnation of this particular title.
But all of that was in the distant future, back in the summer of 1974, when this particular comic opened my eyes and made me a comics fan for life. The cover price was .25, but a copy in decent condition will run you about five bucks now. That seems a small price to pay for a well-crafted issue with such a cool secret history, but I’d never tell you to purchase a comic on the basis of its events forming some permanent part of a comic book universe. If Bucky can come back from the dead, then no one is safe in eternal rest … though ol’ Marv has been there, more-or-less without interruption, for going on thirty years!
May he rest in peace.
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