I’ve already afforded Swamp Thing a place of honor in my Top Ten DC Characters list, and today in my Dollar Box column at StashMyComic.com I go on at length about Swamp Thing #1, but the full Bernie Wrightson/Len Wein run on this book merits a column of its own. It seems like Swamp Thing has been with us forever … and he’s going on four decades of funny book adventures … but that such a seemingly shallow and exploitative character is still a vital part of the comic book landscape speaks to the inherent quality and intrigue of the creation. Swamp Thing wasn’t comicdom’s first significant swamp monster (that would be The Heap), and he didn’t even beat Marvel’s Man-Thing into print, but Swamp Thing is unquestionably the best of the muck monsters, and I think one of the more significant and underrated characters in comics.
Much of Swamp Thing’s present appeal owes to his many reinventions, first by Alan Moore in the 1980s, in what is arguably the finest run of comics of all time, but more recently from creators like Grant Morrison, Brian K. Vaughn, and even Scott Snyder in Swamp Thing’s current book (which I offered backhanded praise in my recent “Few 52” podcast). But at the root of all these reinventions are the original issues of Swamp Thing, by co-creators Len Wein and Bernie Wrightson. These worthy tales provide a foundation for a character still vital nearly half-a-century later, and they remain greatly entertaining comics in their own right. Not bad for a shambling mockery of a man in mud monster form!
I enthuse at length about Swamp Thing’s origin issue in my Dollar Box column, so I won’t repeat myself here, aside from noting that Swamp Thing #1 is a top origin issue, creepy and entertaining as a stand-alone story while still delivering all the meat-and-potatoes expected of an origin tale. Swamp Thing’s genesis is iconic and likely familiar to all readers by now — the story of scientist Doctor Alec Holland, set afire by a bomb while working on his “bio-restorative” formula in a remote swampland laboratory, the poor devil plunging into the swamp to put out the flames only to rise later as the monstrous Swamp Thing.
Later creators would re-spin the tale, with Alan Moore most famously turning the whole thing inside-out in “Anatomy Lesson,” but when Swamp Thing debuted in his own book in 1972, the origin was on-the-nose — yep, that was poor Doctor Holland trapped in that muck-encrusted body, a character purpose-built to be a misunderstood monster, with a human soul yearning to reverse its hideous physical transformation.
well before Alan Moore, Wein & Wrightson did an “anatomy lesson” of their own
That straight-ahead story style continues in the following three issues of Swamp Thing I review here, but this isn’t intended as a criticism. Rather I see it as a case of clear and deliberate storytelling, standing apart from other, more embroidered Silver Age tales in that it is so bare bones. These stories are simple and they recycle monster movie tropes but they do it so well that everything old seems new again.
I’ve seen this tale many times before, but with Wein & Wrightson I’m happy to see it again
Much of this is down to Bernie Wrightson’s tremendous artwork, but before I spin off in rhapsodic praise for the pencils I want to offer a few words for Len Wein’s scripting. Wein is easy to marginalize in any team that includes Bernie Wrightson but the exhaustive ten or fifteen minutes I spent on Wikipedia doing background for this piece indicates Swamp Thing emerged from a close collaboration between Wein and Wrightson. While it is difficult to extract at this late date who did what, exactly, we can look at Wrightson’s post-Swamp Thing work and see that he definitely benefited from his partnership with Wein. For the most part, Wein’s scripts are content to set the scene and establish tone and then let Bernie do what he does best, but in this it is possible to laud an writer for restraint, and also to recognize a case where a comics author contributes so perfectly to a piece of visual storytelling. I’m not the kind of comics fan who thinks pages must be swarming with clever word balloons to feel a comics writer has done his job; quite the opposite, in fact, and Wein’s work on Swamp Thing is this better sort of comics scripting, hand-in-glove with Wrightson’s art, fully a part of the piece and better for leaving unsaid what those Wrightson images so clearly communicate.
Ah, and those images! Wrightson’s art is as startling today as it was all those years ago, a beautiful blend of horrific character designs, expressive faces, perfectly-composed set pieces, and rock-solid storytelling. Greatly benefiting from silky Joe Orlando inks, Wrightson’s pencils transport us to all the gothic locales you’d expect of a 1970s horror book — murky swamps, creepy European castles, fog-bound Scottish moors — they’re all here, they’re all exactly what you’d expect, and they’re all jaw-droppingly wonderful.
For the most part, Wrightson breaks little new ground here, though I was was taken with the weird designs of Arcane’s Un-Men, particularly that talking hand mastermind …
… but it isn’t invention but reinvention that’s the point. I loved seeing Swamp Thing face off against Frankenstein’s monster, and the Werewolf too, and it didn’t matter to me that they were monsters by some-other-name. Copyrights be damned — Swamp Thing is a kick-ass monster and I want to see him fight other kick-ass monsters! Frankenstein vs. The Wolf Man can never compare with Bride of Frankenstein, but in his heart of hearts you know which one a twelve-year-old prefers.
It’s not all central casting monsters, either. Wein wrings some pathos out of the reveal of which brain resides in that Frankenstein form (and how he got there, too), and there’s even a bit of emotion in the Werewolf’s inevitable demise, a doomed child more than ready to move on but held on this mortal plane by parents all too unwilling to let go of their little boy, however murderous he has become. Wein’s around-the-gothic-world in eighty pages plotting does require some leaps of logic — the pontoon plane at the center of Swamp Thing’s transports does not withstand close consideration, unless we want to believe that hand-for-a-head Un-Man was somehow at the controls — but these are forgivable sins in service of a fast-moving and delightful plot, no more jarring than Indiana Jones hanging on the periscope of that Nazi sub for a thousand nautical miles. In a world filled with swamp monsters and a body-hopping arch nemesis such things can’t rightly be called ridiculous.
And by keeping the tale moving along and refusing to apologize for or dwell on its inconsistencies, we have that much more room for the main events, the monster versus monster fighting, the pathos of the twisted human souls stuck in those monstrous forms, and the minimal but emerging subplot of the human characters who misunderstand Swamp Thing, and are doomed to hound him to the earth’s end (among whom is Abigail Arcane, introduced in the second issue as a not-quite-damsel in distress, who will loom large as one of the most complete female characters in comics under Alan Moore’s eventual tutelage).
Abigail Arcane, white hair and fetching black go-go boots
There was an era when superhero books weren’t afraid to be superhero books, with big-shouldered muscleheads striking wide stances and smashing each other through the sides of skyscrapers — and this is a monster book in the same vein, full of crazy kanted angles and reaching shadows, and contriving to hang Swamp Thing on a cross in a cart because, well, it’s just looks so damn cool.
This whole run is like that … you can ignore the words and appreciate the art, or you can delve into the narrative and enjoy the whole package even more. Plus there are some places where words-and-pictures come together in ways that the comic form does best, as when Swamp Thing surrenders his recovered humanity to thwart the evil designs of Arcane …
… or when our hero tumbles down into the roots of Arcane’s castle.
However you slice it, this is a superior comics run, and I’m affording it a top grade, dented only slightly by a very minimal lack of originality, and that tiny bit of storytelling slight-of-hand that catapults Swamp Thing back and forth across continents on the wing of a pontoon plane, in service of a location-driven plot. Even then, I am picking nits — this is a series to be cherished and enjoyed.
So why am I restricting my review to four issues? That’s all the reprints I have! I am now on the lookout for the remaining six issues of Wein and Wrightson’s run, but perhaps a more seasoned hand can tell me if I should bother. Like the Silver Surfer, does this original Swamp Thing series peak in its forth issue, going into a painful decline, or do the remaining issues build on this very strong start? Let me know your opinion, in the comments section below!
Either way, I remain tremendously impressed with Wein & Wrightson’s Swamp Thing. Long may he shamble!
- Title: Swamp Thing
- Published By: DC Comics, 1972-1976
- Issues Reviewed: #1-4, November 1972-May 1973
- LBG Letter Grade For This Issue: A-minus
- Own The Reprints: DC Special Series
NEXT WEDNESDAY: #82 Reader Appreciation Award!
Top Ten DC Comics Characters
A couple weeks ago, Brian Cronin’s “Comics Should Be Good” column at Comic Book Resources ran a DC/Marvel Top Ten survey. The idea was to name your top ten favorite characters for both DC and Marvel comics. (And the results are starting to appear).
While this isn’t exactly a Marvel vs. DC thing, the effect is the same: blogging red meat! It’s more meaningless than even the average comic book blog, it fills up column space, and it gets fans riled up over all the distinctions-without-a-difference in voting for the different clowns who have worn the Flash costume through the years. It’s a cheap stunt: an easy-to-write column designed to drive clicks.
I find it appalling and I disapprove.
Here are my picks.
You Might Also Like: Top 10 Marvel Comics Characters
DC Comics Top Ten
#10 Dr. Fate
Just for the headgear. I don’t give a damn about the character, but I love the helmet. Put Dr. Strange in that helmet and I’m all-in.
huh, looks like Dr. Fate grew boobs when I wasn’t looking
Yes, he’s ridiculous — an exiled god from an dysfunctional home who wears a red-and-yellow costume and masquerades as an escape artist? But he was the favorite character of a friend I lost to childhood leukemia and I don’t care what you say, the core of the New Gods mythos would make a dynamite motion picture.
(But no Funky Flashman!)
Love the character — the iconic man of tomorrow standing guard over the ideal big city metropolis. I enjoy the Superman mythos with its bottled cities, science villains, and flying dogs in capes. The character and world are inherently optimistic and utopian, and ultimately, Superman is the only superhero that really matters.
I just never want to read his comics.
is that a rocket in your pants, or are you just happy to see me?
Yes, Wildcat. Again, because of the headgear. And also because I think the character is ripe for revival. Wildcat is a prizefighter and you have to try like hell to mess up a boxing story. Stick to the boxing movie formula and even a story about Hugh Jackman fighting with robots looks like a good idea. Mix the sweet science with a fatal disease, the mob, a dame, an orphan, and a little bit of that Barton Fink feeling and I smell a winner!
Plus, Wildcat rides a Cat-O-Cycle.
I don’t care about the comics character — no one cares about the comics character — but the version of Aquaman who frequently appears on the Batman: Brave And The Bold cartoon series is a scream.
Fast forward to 3:50 in this video to see the true Aquaman … the poor schmuck stuck on an RV vacation road trip with his undersea family.
Headgear fetish, part three.
note preference for Golden Age “full beak” Hawkman (these things are important)
#4 Swamp Thing
Frankly you could throw out the first six names on this list. I’ve never been a DC guy and I had to grope around to come up with my ten names. That I put Wildcat on the list and passed up a chance to show Power Girl in her white t-shirt shows how much I am slipping.
Let me correct that.
there you go … Power Girl, plus Superman and Wildcat (yes, Wildcat)
With Swamp Thing we come to the first of the DC characters that I hold in truly high esteem, and not merely because he is the most successful of a host of muck monsters reaching all the way back to The Heap. This admittedly second-tier character has twice been touched by genius, first with Bernie Wrightson’s brilliant character design …
… and then by Alan Moore’s seminal run on the book, which changed the character (and comics) forever. (Moore’s Swamp Thing will eventually get a Longbox Graveyard column all it’s own).
Wrightson’s design is worth a closer look. Swamp Thing’s powerful, hulking build gives him a strong presence on the page, but the character sports subtle touches that lend him uncommon visual depth. Exposed roots on Swamp Thing’s back and shoulders offer highlight points where artists can add visual flourishes and kinks (following artists would have his body sprout moss, roots, and flowers to dramatic effect).
Swamp Thing is just on this side of uncanny valley, with a face that is recognizably human, but sporting craggy brows and a characteristic nose-and-face design than can by turns be human and warm or a mask of skull-faced terror. A classic comic book monster design.
#3 The Flash
My favorite of the Silver Age greats, though I will confess I liked him best as a cartoon character. The sunlit and nostalgic memory of my youth casts the Flash as a safe, colorful, reassuring science hero who was both the fastest man alive and the smartest guy in the room. I particularly loved the “swishing” sound effects deployed every time Flash went for a sprint.
In filling out the ballot over at CBR I probably invalidated my submission by just listing, “The Flash,” instead of “Barry Allen Flash.” But really, is there a greater single indictment of comics than having to identify which Flash you mean when you say, “The Flash?”
And apropos of nothing — instead of the turgid Green Lantern-style disaster that DC is bound to bring to the screen, the Flash movie should be lightly comedic (more The Mask than The Dark Knight) and should star Neil Patrick Harris as Barry Allen.
#2 The Joker
DC in general and Batman in particular have a pile of great villains, and I probably could have filled out this list with bad guys alone (and another cheap blog idea has just occurred to me) … but the Joker is clearly DC’s finest villain, and likely would be so even without his apotheosis through the talents of Heath Ledger a couple years ago.
The brilliance of the Joker is in his versatility. He started life as a knock-off of Conrad Veidt, and has survived Jokermobiles, Cesar Romero’s mustache, and Jack Nicholson’s check-cashing to emerge as everyone’s favorite mass-murdering mental patient. The Joker’s bizarre plots resonate more deeply than your run-of-the-mill megalomaniac bent on world conquest. He’s unpredictable and always a twisted delight, seemingly just as at home whether he’s stealing a kid’s report card or putting Batgirl in a wheelchair. You can’t keep a good clown down!
No, my favorite DC character is Batman, of course, but where’s the fun in admitting that?
And since I’m tumbling to the blogging cheap trick of a top ten list, I might as well go balls deep and drag this thing out for a second column … so you’ll have to come back in a couple weeks to see my Top Ten Marvel Comics characters!
In the meantime, I’d be delighted to see a nerd skirmish break out in the comments section about YOUR favorite DC heroes along with excoriating indictments of why I was a Philistine to leave (insert character here) off my list!
UPDATE: Mars Will Send No More has posted a rebuttal over at his epononymous blog! Check it out!
NEXT WEEK: #13 The Stuff of Legends — Thor!
LONGBOX GRAVEYARD TOP TEN LISTS
- Top Ten Instagram Superheroes
- Top Ten Superhero Lairs
- Top Ten Manliest Superheroes
- Top Ten Longbox Graveyard Articles (Year One!)
- Superhero Music Top Ten
- Top Single Issue Stories
- Top 1o Loves of Peter Parker (Part 1)
- Top 10 Loves of Peter Parker (Part 2)
- Top Ten Marvel Comics Characters
- Top Ten DC Comics Characters
- Top Ten Spider-Man Battles (Part I)
- Top Ten Spider-Man Battles (Part II)
- Top Ten Captain America Villains
- Spider-Man’s Bottom 10 Bronze Age Bums
- Top Ten Superhero Spoonerisms
- Top 5 Captain America Graphic Novels You Can Actually Buy (Sometimes), Read, And Enjoy!