Category Archives: Collecting

Longbox Graveyard Holiday Comic Book Gift Guide

Longbox Graveyard #77

The end of the year is coming into view and with it comes the happy duty of buying gifts for friends, loved ones, bosses, and even arch-enemies. Fear not — the Longbox Graveyard Holiday Comic Book Gift Guide is here!

My selections are idiosyncratic and make no attempt to be comprehensive. Items listed below are things I like and write about here at Longbox Graveyard, and if you like this blog, then chances are you will like them too. In the unlikely event that you have wandered here from some Google search looking for comic book Christmas gifts, then you can get an idea of my ethos by reading this blog’s first entry … or just trust that I know what I am talking about, and that I will point you in the right direction when it comes to comic book gifts, particularly for someone who loves older comics from the 1960s, 70s, and 80s.

(And if you want a more comprehensive and contemporary gift-giving guide, you won’t go far wrong with Tom Spurgeon’s exhaustive survey over at The Comics Reporter).

I don’t care if you’ve been naughty or nice — if you’re a comics fan, you’re bound to be happy finding any of these items beneath your tree (or the non-denominational holiday avatar of your choosing).

SUPERHERO CLASSICS

Longbox Graveyard is mostly about superheroes, and here are some of my favorite collections.

Walt Simonson’s Thor

Simonson’s take on Thor from the 1980s remains my favorite interpretation of one of my favorite characters. In his fifty-odd issue run, Walt took all the classic elements of the Stan Lee and Jack Kirby Thor mythos — Asgard, the gods, Loki, the Destroyer, Thor’s battles with his father, romance, the whole shooting match — and made everything old seem new again. These books are fast-paced, adventurous, sometimes funny, and always full of heart. (You can read my review of the first part of Simonson’s run in two parts, here and here). Simonson’s work has been collected in the Thor by Walter Simonson Omnibus, a beautiful volume that includes the entire run, including the seminal Beta Ray Bill storyline, and the Malekith the Dark Elf arc, which appears to be at the center of 2013′s Thor movie sequel.

The Amazing Spider-Man

Spider-Man is fifty years old but I think the character’s initial Steve Ditko/Stan Lee run has never been bettered (and you can find out why I feel this way, here). The entire Lee/Ditko run is collected in a hard-to-find Omnibus, and you can also get at least part of the saga in a more readily-available Masterwork edition.

Conan The Barbarian

It has been awhile since I blogged about Conan’s earliest comics appearances, his romances, and his mishandling in film, but I am still a devoted fan of the Cimmerian, and very fond of the Dark Horse Comics reprints of the Marvel Conan books of the 1970s. The entire Marvel run is available — along with reprints of Savage Sword of Conan and King Conan too, if you are a completest — but I can most recommend the Barry Windsor-Smith reprints in volumes 1-4 of the series, and the following Roy Thomas/John Buscema run that is reprinted up through volume 14. The clarity and color of those reprints is a sight to behold — in many cases it’s like seeing the art for the very first time.

Captain America

File this one under new classics — while the original Stan Lee/Jack Kirby tales are collected in an omnibus of their own, author Ed Brubaker’s take on Cap from 2004-2012 is my favorite interpretation of my favorite character. Mr. Brubaker has wrapped up his run but his tales are collected in several volumes, beginning with his Captain America Omnibus Volume 1, and continuing with the Death of Captain America, and others. A bit of these tales were mined for 2011′s Captain America movie, and Brubaker’s Winter Soldier arc is reported to be the basis of 2014′s movie sequel.

Infinity Gauntlet

And since we’re talking about movies … if you want a look ahead to future Marvel movies, you could do worse than to read the recent Infinity Gauntlet collection. This mini-series by Jim Starlin, George Perez, and Ron Lim tells of the tale of the mad Death God of Titan taking on the entire Marvel Universe and (almost) killing them all. It is a cosmic fist opera of the first order (and you can read my review here), but it’s most worth reading to give yourself a crash course in the series’ central villain, Thanos — otherwise known as that mysterious purple guy from the end credits of The Avengers, who promises to loom large in the Marvel movies to come.

ANIMATION

There’s an embarrassment of riches when it comes to superhero movies, and you don’t need me to tell you that Avengers and Dark Knight Rises should be on your shopping list. But don’t overlook the charms of superhero animation, which tell a broader range of stories and introduce more obscure, weird, and wonderful characters than you will ever see in a live action move.

Young Justice

My favorite comic-that-isn’t-a-comic got a full review here, and with Cartoon Network yanking this title off the air without warning, the best way to watch it now is through these DVD sets. Young Justice is a serious, straight-ahead superhero series about insecure young heroes facing a monstrous super-conspiracy, full of action, surprises, and some sophisticated characterization that lends punch to a couple genuinely surprising cliffhanger twists. There’s a good chance this is the best superhero series you’ve never seen, and I’d put it up against some of the second-tier live action superhero films of recent years in terms of entertainment value. These DVDs are an inexpensive and very cool gift for comics fans.

Batman: Brave & The Bold

A distinct departure from the grim-and-gritty screen Batman of today, Batman: Brave & The Bold is a throwback to the silly Silver Age Batman of the 1960s, and will also be familiar to anyone who enjoyed the Adam West television show of that era. Taking its name from Batman’s legendary team-up book, the series sees Batman paired with a different DC hero each week. It is a breathlessly inventive show, with musical episodes, surrealistic dream episodes, and the BEST depiction of Aquaman, anywhere (yes, Aquaman). This series will connect with hipster adults (who don’t need to be mind-altered to enjoy it) and kids alike, and it’s a great series for adults to watch with their children, truly a show with something for everyone.

BOOKS ABOUT COMICS

The perfect gift for the comics fan who has everything may not be comics but instead book about comics — tomes that provide insight on the history and development of the comic book form. Here are a few of the essential volumes you’ll find on my shelf, which I think any devoted fan would enjoy.

Marvel Comics: The Untold Story

Sean Howe’s unauthorized history of the most important company in comics is a terrific read — and I enthused about it at length here. Far from a fawning fan history, this book is for those who want to see how the sausage is made, and for anyone who wants to know more about the larger-than-life personalities in Marvel’s creative “bullpen” (spoiler: some of these people aren’t very nice). This was my favorite book of 2012 and I recommend it even to non-comics fans for its look at a unique business, and for its chronicle of how Marvel rose from bankruptcy to become one of the most powerful companies in modern media.

Understanding Comics: The Invisible Art

Scott McCloud’s book isn’t a history of comics so much as a guide to understanding what makes comics a unique storytelling form, revealing the unexpectedly complicated wheels-within-wheels that make a comic tick. The book is scholarly but very approachable thanks to being a comic book itself, and it’s a good choice for convincing your on-the-fence friends that there may be more to these funny books than meets the eye. Confirmed comics fans will also enjoy McCloud’s insights on how the form of comics has changed through the years, and will also be exposed to greater breadths in the medium than we sometimes perceive when we’re locked into the monthly adventures of Captain Whatsisname.

Comics & Sequential Art

Will Eisner’s instruction manual on his singular way of telling a tale in words and pictures is intended for artists but still contains insights for fans and laymen. I go back to it every couple years just to remind myself how angry I am that I can’t draw a lick — Eisner lays out a grammar for comics that definitely favors the role of the artist/writer, but everyone will enjoy looking at the way Eisner breaks down a page, conveys emotion, and (most famously) depicts the passage of time. A master work from a master creator that modern comics authors and artists would do well to read.

MODERN STUFF

I do read contemporary comics, even if I don’t blog about them here at Longbox Graveyard, and if you want stories from the present century I can offer some guidance. For the most part these collections have the same storytelling values as those older books that I cherish, but they are dressed up for a modern sensibility. Some are revisionist takes on classic superheroes while others are new tales for a new age. Most of them will even stand up to critical scrutiny, meaning you can leave them out on your coffee table with only (minimal) fear of derision and embarrassment!

The Walking Dead

Robert Kirkman’s harrowing tale of our inevitable zombie-haunted future is both a television and publishing phenomenon, and my review of the first fifty-odd issues of this series headlined my Halloween column here at Longbox Graveyard. These books are well-written and approachable — a little slow at times, but taken together make for a terrific (and sometimes difficult) long read. Nearly every issue printed to date have been collected in Walking Dead Compendium One and the newly-released Walking Dead Compendium Two. For fans of a less literary bent, box set collections of seasons one, two, and three are also good viewing, but even fans intimately familiar with the television series are likely to enjoy the original graphic novels, which provide more in-depth characterization and also offer some twists and turns not (entirely) in line with how the show has developed.

The New 52

A little over a year ago, DC Comics hit the “reset” button on their superhero comics line, with the intent of making their comic book universe more inviting for new and lapsed readers. The “New 52″ is DC’s line of 52 monthly comic books covering everything from Superman to Frankenstein, fitting everything into a (more-or-less) editorially cohesive whole.

Now that DC is several months into their reboot, the first issues of the New 52 are appearing as trade paperback collections, and I’ve liked most of the few that I’ve read. You can’t go far wrong with any of these titles (except the Rob Liefeld ones!), and if you have a lapsed Superman reader on your shopping list, or know a fan of Christopher Nolan’s Dark Knight film trilogy, then grab one of the many titles featuring those characters and you are good to go. If you’d like something a little further afield, then I recommend the New 52 collections of Aquaman (yes, Aquaman!) and Supergirl, as well as the continuing story of Batwoman (though new readers would be wise to begin with her pre-New 52 adventures).

I also enjoyed the medieval superhero adventures of the Demon Knights, the secret undead war of I, Vampire, and the gonzo monster-fighting exploits of Frankenstein: Agent of S.H.A.D.E.(since sadly cancelled, so this first collection might be the only stories we’ll get). Wonder Woman, Animal Man, and Swamp Thing all come highly-recommended, too, but I haven’t yet read them myself, so maybe thumb them in the store before buying.

Ed Brubaker’s Crime Stories

I’ve already enthused about Ed Brubaker’s take on Captain America, but his original crime stories are also well worth reading. There are echoes of Pulp Fiction in the multiple, interweaving narratives of Brubaker’s Criminal, a gritty look at street-level crime without a cape in sight. If you want a little more superheroics in your Brubaker crime drama, his Incognito is worth a look, about the trials of an irredeemable supervillian in the witness protection program. And even though they feature mainstream superheroes, Brubaker’s take on Daredevil and Catwoman owe more to crime books than they do capes and masks, so give them a look, too.

Marvel Digital Comics Unlimited

If the best gift is something a person would love while never buying it for themselves, then a year’s subscription of Marvel’s library of digital comics may be the best option on this list. The service has its strengths and weaknesses, but the content is without peer, particularly for fans of older Marvel books. Recent titles run about a year behind their street publication but the back catalog is impressive and growing every week. This was the gift my family gave me last year and a renewed subscription is printed in bold crayon in my own letter to Santa this season.

Saga

Finally we have Saga, the “it” book of 2012. This Image Comics space fantasy from Brian K. Vaughn and Fiona Staples is just getting started, and the recently-released first trade collection is a great place to jump into a difficult-to-summarize story that features a rocketship forest, TV-headed spacefaring noblemen, bounty hunters with complicated moral compasses, Lying Cat, a breastfeeding narrator, and … well, just go with it. Saga is a fast-paced, inventive, and surprising story and you can get in on the fun before most people even know it exists (or before the wheels come off of this ambitious tale). Plus, as a special bonus, reading this story will give you instant comics shop credibility, and may be the key to winning a date with that mousy comics girl behind the register who only reads cool stuff you’ve never heard about. Check it out!

So there you have it … a sack so stuffed full of comic book goodness that even Ben Grimm in a Santa suit would have a hard time carrying it through the door. I hope you’ve found a book or two for someone on your list (even if that someone is you), and if you do purchase something based on my recommendation, I hope you will write and let me know how it turned out. I also welcome your holiday gift suggestions in my comments, below.

Happy Holidays from Longbox Graveyard!

NEXT WEDNESDAY: #78 Longbox Soapbox

Guide To Comics Bargains On eBay

Longbox Graveyard #62

Rule one of my Guide To Comics Bargains on eBay: look elsewhere! I’ve read good things about the U.K. eBay market, but in the United States I’ve found eBay a different story. In almost every case you’re better off buying back issues through an online retailer, where you can find competitive prices and it is easy to buy in bulk, reducing per-book shipping fees. Buying from a retailer may also give additional protection in terms of customer service if your order goes awry. I’ve had excellent luck from MyComicShop.com and recommend them without reservation.

(And if you want to buy a whole pile of books for about a quarter each, click HERE and read the special offer I have going for Longbox Graveyard readers!)

That being said, there are some good sellers on eBay (and many of them are retailers themselves). I will sometimes window-shop the high grade Gold and Silver Age key issues auctions, but the prices of most CGC graded books are too rich for my wallet, and I couldn’t spot a bargain there if it hit me in the face. I’m a reader, more than a collector, but this does open up some bargain opportunities, because it aligns with the one circumstance where I recommend buying comics on eBay: buy in lots.

eBay Comic Book Bargains — Comin’ At Ya!

The primary advantage to buying in lots is reducing the impact of shipping fees. Unless you’re buying a high ticket item, the cost of postage has risen to the point that buying individual comics on eBay just doesn’t make sense (and that’s just for domestic rates — international rates are even more obscene). The “Fed-ral Guv’ment” can fill my mailbox with coupons and mass mailers for all sorts of ridiculous nonsense for pennies on the pound, but if you want to mail a comic book, it costs as much as sending an anvil to Katmandu. When you’re bargain hunting for books costing a dollar or less, spending ten bucks or more on postage renders the exercise pointless — but a dozen books can ship as cheaply as one, and proportional charges decrease with bulk, so it is sometimes possible to get a good deal if you are willing to buy a dozen or more books in one go.

Survey results from my Longbox Soapbox questionnaire several weeks ago showed interest in articles about comics collecting. I’m far from an expert but I’m happy to share my experience in this area with you — and if you are interested in lower-grade “reader” copies of Bronze Age books, then you’ve come to the right place! If you follow a few simple rules you can quickly build out a fun collection of books that won’t measure up to a CGC graded collection, but which will look perfectly good in bags and boards and allow you to experience comics in their original form, rather than as digital or graphic novel reprints. These same principles apply to filling out the bulk of an old comics run, too — you might have to splurge to get that #1, but maybe you can make it up by shaving some dollars off acquiring #32-68 (or whatever).

the oldest issue of Marvel Two-In-One in my collection, purchased off the rack in 1974

Rather than list general do’s and don’ts, I thought I’d let you ride along on a recent eBay shopping expedition. Last week I reviewed every issue of Marvel Two-In-One, but when that project began, I had only 25 issues of the book’s 100 issue run. This week I’ll tell you how I filled in the rest of the series.

An important step is to make a wish list. I have thousands of comics and there’s no sense buying doubles of books I’ve already got. Make a list of the issues you want and keep it with you — I access my Collectorz.com comics database for my wish list via my iPhone, but you can just as easily use the notepad on your smartphone, or just write down what you want and keep the list in your wallet. Either way, you must make a list, and you must keep it with you, because I guarantee the day you find a treasure trove of books at attractive prices at a show or an old bookstore is going to be the day you left your list at home.

With a list in hand, it’s time to set your budget. Decide the average price you want to pay per book. For Marvel Two-In-One, I’d like to spend around a dollar per book. I’m not especially sensitive to grade, so this shouldn’t be impossible … and an insensitivity to grade is a functional requirement for comics shopping non CGC-graded books on eBay, where grading standards are all over the place, and I have several times wound up with books that were in poorer condition than advertised.

(Which is a bit of foreshadowing, by the way).

if the Hulk and the Thing wrecked Burbank in a battle … how could you tell?

If you have your list, and you’ve set a budget, it’s time to hit eBay. Search for your title several different ways — for instance I searched for “Two In One,” “Marvel Two In One,” and “Marvel Two-In-One” while conducting this particular shopping expedition. The other terms you’ll want to use are “Lot” or “Run” — this will sweep up all the listings that use those common terms in their title.

In this case my search returned 75 results, which I quickly narrowed down by sorting by “Price + Shipping: lowest first.” I’m bargain shopping so I need to zero in on the least expensive runs, and this pushes clowns like the guy wanting three hundred bucks for his 68-issue run of Two-In-One well down the page (and good luck with that one, pal). I’m looking for seventy-five books at a buck a book, so I won’t even look at anything that runs more than a hundred dollars or so, postage included.

This is the most important principle of buying comics on eBay — know your price, and stick to it. eBay is an auction site, and you will sometimes find yourself in a bidding war for what you want. The best way to win a bidding war is to withdraw. Seriously, it is a buyer’s market on eBay (at least it should be), so don’t bid a nickel more for a book than you want to pay. I recommend entering your top price when placing a bid and then NEVER bidding again. If you get your books for your price, that’s a good thing. If you don’t get your books for more than you wanted to pay, then that’s a good thing, too.

you cannot change the past, nor control the future, so bid ONCE and ONCE ONLY!

Next comes the tedious step — sorting through the listings. Few eBay sellers will give you the courtesy of stating exactly how many books are included in a lot. You will usually see something like:

MARVEL TWO-IN-ONE Lot #60-73 VG-FN+ Thing Inhumans

… which is fairly descriptive, but I still need to do a little math to see how many books are actually in that lot, then compare to the price plus shipping to see if I am in my dollar-per-book target range.

Worse, you will sometimes find borderline deceptive listings like this:

MARVEL TWO-IN-ONE lot (10) #23-66 (1970s) Marvel Comics

A cursory glance might make it seem that this is a lot of issues #23-66 … but it’s actually a lot of ten issues between the numbers #23 and #66. I hate these listings and I won’t bid on them. Likewise I skip listings by tools that insist I L@@K! or persist in branding their comics “vintage,” which is a code word for “I don’t know crap about comics and I am charging too much.” It should go without saying that you must always review the full item description to make sure what is on offer, and also examine any photos (which for bulk purchases such as these will usually show a sloppy pile of comics spilled across a horrid kitchen tablecloth).

About a half hour of poking around let me isolate two possible Marvel Two-In-One lots. Even allowing for the inevitable duplicates that come with buying in lots, for each of these listings, the cost per book (including postage) falls within my dollar-per-book range.

The mikevc21806 lot consists of seven issues that I don’t need or want, so I evaluate price as if this were a seventeen issue lot. He wants a reasonable $6.00 for postage, meaning I can bid eleven dollars for this lot and still get them for a dollar per book. The minimum bid is $9.99 so this is just barely possible — if no one goes up against me for this lot, I can get the deal I want. The same books at MyComicShop.com would run me $23.50 so this is a good deal.

The lot from sdm1000 offers a whopping eighteen books I don’t want — but also 34 that I do want. He wants $13.00 shipping and his minimum bid is $15.00, so this lot will also work for me, though it will result in a pile of books I will later need to sell or give away. These same books would run me $44.00 through my MyComicShop.com, so again, I have found an eBay bargain!

Now that I’ve found my lots, the next step is to …

… do nothing. Seriously, walk away. Put the books on your watch list and cool off for a couple days. I don’t suggest trying to “snipe” an auction with last-second bidding, but I do think you should place your only bid as the auction winds down rather than holding your place early with a minimum bid. Bidding early validates a listing for browsing competitors and may attract additional bids, which you don’t want. A bid is a bid and it locks you into a potential purchase, even if you change your mind or find a better deal before the bid comes due. Why commit yourself before you have to?

It was while my lots were in the watching zone that I did a little leg work to check other supply channels. A business trip let me visit The House of Secrets comic shop in Burbank, CA, where they have a pretty decent selection of Bronze Age back issues. I found that most of their Marvel Two-In-Ones were $2.99 — obviously more than my dollar per book target, but I will sometimes go a little higher if I can buy a book in person, because it lets me support a worthy store, I can eyeball what I’m getting right on the spot, and you don’t have to pay for postage. That was still too much to pay in the “lot” phase of filling in my run, though — at that rate, it would cost me $225 to buy 75 issues of Marvel Two-In-One, which is way too much. An issue here or there, sure, $2.99 is fine — it’s less than the cost of a contemporary comic and I like the oldies more. But that’s for later — we’re still shopping lots here!

There’s too much overlap between the two lots to buy them both, so this will be an either-or proposition. I decide that sdm1000′s lot will be my primary target, because the seller has a much higher feedback rating, and also because he’s charging more for postage — I suspect this will be for a USPS flat rate box, which should better protect the books in transit. The other lot wants only six dollars for postage, but he is offering too many books to fit in a flat rate envelope. I suspect he will be shipping media mail, which is economical but technically illegal for comics, which don’t quality for media rate because they contain advertisements (I don’t like it either, but direct your gripes to the post office).

After cooling off a couple days, I checked back in on Saturday night and determined I still wanted to buy this lot, so I entered my best bid and went to sleep. I bid $21.01, which when combined with that $13.00 shipping would net me the 34 books I want for my price of a dollar each. I bid the extra penny in the unlikely event I’ll need to beat someone who bids in round numbers.

And in the morning I found my minimum bid was good enough — at $28.00 including shipping, I got my 34 books for less than the dollar per book I was hoping to pay. Huzzah for eBay comic book bargains!

With this single purchase I have knocked off about half of the books on my Marvel Two-In-One want list. I’m still looking for 43 issues, so I’m in the market for one more lot purchase — but with 57 issues already in my collection, it will prove harder to avoid excessive duplicates in any run. It might make more sense to buy my next “lot” through MyComicShop.com, where I can quickly order only what I want and probably put together a big enough order to qualify for free shipping. Any missing numbers can be filled in through individual issue purchase at shops and shows — it’s always fun to be on the hunt for a couple books at a show.

A few days later and my box arrived. Joy!

But that joy was tempered when I saw several of the books were in unacceptable condition, with missing covers and pieces cut from them.

Never let it be said you don’t get the full experience here on Longbox Graveyard — warts and all! The seller was swift and amicable when I contacted them, and we wrangled out a solution, but it just goes to show that there’s never a dull moment on eBay!

So there you have it — Longbox Graveyard’s Guide To Comics Bargains On eBay!

Summary:

  1. Look elsewhere! Online retailers are usually a better source than eBay.
  2. Buy in lots.
  3. Make a wish list.
  4. Know your price and stick to it (including postage).
  5. Search for your books with terms like “lot” and “run.”
  6. Watch promising lots and place your bid when they are about to come due.
  7. Use the watching phase as a “cooling off period” and check other sources.
  8. Bid your best price and never raise.
  9. Remember, you will get what you pay for (and sometimes less!)

fear not, Ben, this isn’t the end … it’s not even the BEGINNING of the end … collecting goes on forever!

What if you simply can’t find a lot for the book you need? There’s one more thing you can try — but it’s risky. Search for .99 issues of what you want on eBay, then click through to the other items that seller has on offer — often sellers will combine postage for multiple items, and if they have offered other books you want individually you can build your own lot this way. Don’t forget eBay is a bidding site! It’s not fun to assume you’re going to win ten books and win only one, and find you’re saddled with a ten dollar postage bill for your dollar comic book bargain. Caveat emptor!

That about exhausts my low-rent eBay advice. Please share your own buying wisdom in the comments section, below!

And if you’d like to read my impressions of these ill-gotten gains, be sure to check out last week’s review of every single issue of Marvel Two-In-One ever published!!

And don’t forget to check out my limited-time offer to basically GIVE you a box of comics — click HERE for details!

NEXT WEDNESDAY: #65 Panel Gallery: Made It!

X Ratings

Longbox Graveyard #14

So far I haven’t given much thought to selling my comics.

It’s been enough to process the books from the Accumulation to the Collection, make note of them in my database, and sometimes read a book or two as I go.

But now I’ve come to my 1970′s-era X-Men books. If I have any books that might command significant prices, it is these.

I like X-Men well enough … but if books I bought for .40 can be listed for forty bucks then I have to sit up and take notice. Besides, many of the most valuable books that I own have been collected in the excellent Uncanny X-Men Omnibus Volume 1 (and if you don’t have it, you should — get it HERE). I find the idea of selling my X-Men to finance purchasing Omnibus Volume 2 if/when it comes out very attractive. Especially when spitball numbers tell me I should be able to afford that second Omnibus several times over, thanks to the completeness and condition of my X-Men collection.

Problem is, preparing comics for sale plunges me straight into terra incognita (value grading comics) and terra I-don’t-wanna (eBay).

The first issue is one of authority.

Yes, Judge Dredd IS the law … but he’s not here to grade my comics. Who decides what a comic is worth?

Back in the day, we were supposed to look at the Overstreet Price Guide. The Guide is still being published, but it has no significant online presence that I can find. Overstreet Guide is probably still the “authority of record” for comic book values, but as a print-only resource publishing on a yearly basis … well … as far as I’m concerned, the information superhighway has done a Radiator Springs on that rest stop. I like thumbing it at the book store to skim the chatty and anecdotal market reports, but I’m not ready to drop thirty bucks on getting a copy.

A little more current-century is CGC. The Certified Guarantee Company is an independent grading company, who will examine your books, offer an objective grade, and seal the book into a plastic clamshell likely to survive the apocalypse … for a not-inconsiderable fee. If I was grading Amazing Fantasy #15 or, say, a copy of the Bible, numbered and signed by the Original Author, then I’d spring for this service in a heartbeat. But paying CGC twenty bucks to grade books that might be worth forty doesn’t pencil out.

So after groping about for a bit I’ve decided to invest blind faith in ComicsPriceGuide.com. For the price of a (free) registration, I get access to their price guide, which at least gives me a consistent baseline for valuing my own books. “CPG” also solves my second issue …

… which is methodology.

CPG has outlined a reasonably in-depth Comic Book Grading Guide on their website.

Beginning with (I gather) standards established by prior authorities, the CPG list outlines thumbnail guidelines for rating comics on a ten point scale, from “GEM MINT 10.0″ all the way down to “POOR .5″ (we won’t consider the existential despair of the even-lower “NO GRADE” grade). Working from this standard, I think most of my old X-Men books fit into  “FINE” to “VERY FINE” categories, between 7.0 and 8.0 grade. Not bad, but I think they would rate higher, if not for a slight-but-noticeable curl for my books, a result of being stored on-end (but without backing boards) for decades. Curiously, the CPG list doesn’t call out “cover curling” as a consideration in grading, but I think I can draw equivalents by knocking off points for curling the same way points are deducted for a “rolled spine” (shudder).

OK, I’ve solved authority and methodology to a comfortable degree. This leaves me with the third and largest issue …

marketplace.

There’s a big difference between value and price — almost as big a difference as there is between asking and getting. It’s one thing for me to note in my Collectorz database that I have issue #120 of X-Men, that I have it stored in Box 2 and marked “For Sale,” and that I rate it “VERY FINE 8.0″ with a current value of $50.00. It’s another thing, entirely, to sell the book for that or any other price.

I’m no stranger to eBay. My feedback rating is positive enough to earn me a fancy star over there, garnered mostly from buying and selling boardgames. But I don’t really like eBay. I don’t like the interface for listing items, and I especially don’t like persnickety buyers busting my balls over problems, real or imagined, in the condition of my items. And if people have given me grief over the condition of used video games, what are they going to say about my comics? I’m trying to err on the side of the buyer when assigning grades, but still. I’m new at this. And we’re talking about eBay.

There’s also the issue that eBay appears to be a ghost town of a market for comics right now. Searching for current auctions on the books I’d offer reveals a lot of overpriced “Buy It Nows” and zero-bid items. The only upside is that the care I’m taking in grading my books appears to put me in the minority for sellers in this category, who seem to pick just any-old number to grade their books, and price them — shall we say — optimistically, in view of market realities.

Which means there might be a niche for me here, as the Honest Guy Who Undergrades His Comics & Genuinely Cares About His Customer.

I’m just not quite ready to change into my eBay costumed identity. Until then, I’ll keep marking select books “For Sale” in my database, so I will be ready at a moment’s notice to offer “Captain Marvel #1 VERY FINE (MINUS) 7.5,” “Tales of Suspense Vol. 1 #65 FAIR 1.0,” or “X-Men #96 FINE 5.5″ for sale.

As an experiment (and with little hope of success), I’ve put up a page on this blog listing a few of my comics for sale. If you want to buy a book from the Longbox Graveyard — complete with a little sticker on the backing board to establish the book’s provenance — then hit the Back Issues For Sale tab at the top of this page!

The Longbox Graveyard back issue store is open 24/7, and graded VERY FINE 8.0 for ubiquity and ease-of-use. Thanks!

NEXT WEEK: #15 Catching Lightning

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